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- Originaltitel : The Assassination of Richard Nixon
- Filmtitel in Ihrem Land : Attentat auf Richard Nixon
- Jahr der Film : 2004
- Genres des Films : Drama, Historie, Thriller,
- Status-Film : Released
- Veröffentlichungsdatum : 2004-05-17
- Die Unternehmen der Film : Monsoon Pictures, Open City Films, Anhelo Productions, Appian Way,
- Länder Film : United States of America,
- Sprache des Films : English,
- Durasi Of film : 95 Min
- Stimme durchschnittlich : 6.3
- Youtube ID des Films : OxNDMzwSU7U
- Übersetzung von Film : IT,EN,DE,FI,TR,PT,HU,CS,NL,HE,FR,ES,
- Filmbesetzung :Tracy Middendorf (Businesswoman), Naomi Watts (Marie Bicke), Mykelti Williamson (Harold Mann), Kathryn Howell (Hostage), Michael Wincott (Julius Bicke), Mariah Massa (Julie), April Grace (Mae Simmons), James Carraway (Customer #5), Kenneth White (Customer #1), Brett Rickaby (Customer #2), Jack Thompson (Jack Jones), Derek Greene (Joey Simmons), Brad William Henke (Martin Jones), Jay Jacobus (Customer #6), Nick Searcy (Tom Ford), James Morrison Reese (Customer #3), Lily Knight (Receptionist), Jared Dorrance (Sammy Jr.), Denise Balthrop Cassidy (Bank Teller), Melissa Saltzman (Boarding Agent), Sean Penn (Samuel Bicke), J.C. MacKenzie (Co-Pilot), Frank Brown Jr. (Customer #4), Don Cheadle (Bonny Simmons), Robert Kenneth Cooper (Irate Driver), Jenna Milton (Ellen), Gary L. Mack (Security Man), Joe Marinelli (Mel Samuels), Eileen Ryan (Marie's Mother)
0364961
Attentat auf Richard Nixon ist die beste film zur Verfügung gestellt von Monsoon Pictures, Open City Films, Anhelo Productions, Appian Way, besitzen ein Beschreibung des Films "1974. Sam Bicke hat alles verloren. Seine Frau hat ihn mitsamt seinen drei Kindern verlassen, sein Chef hat ihm gekündigt, sein Bruder wendet sich von ihm ab und auch die Bank will ihm keinen Kredit für ein eigenes Geschäft gewähren. In seiner Enttäuschung sucht er einen Schuldigen. Und er findet ihn im amtierenden Präsidenten der Vereinigten Staaten. Also plant er einen Mordanschlag.". Der Film wurde mit hervorragenden grafischen Qualität hergestellt, beste Klangqualität und am besten mit Schauspielern.
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Executive Producer : Tim Krubsack, Unit Production Manager : Carole Terranova, Development Manager : Juan Elías Tovar, Construction Coordinator : Wes Clowers, Set Costumer : Michael Becker, Color Timer : Jim Passon, Dolby Consultant : Andy Potvin, Rigging Gaffer : Robert Powers, Utility Stunts : Tom Ficke, Wigmaker : Erwin H. Kupitz, Set Production Intern : Karen Baker, Imaging Science : Kevin Mullican, Set Medic : Mark Bosia, Cableman : Scott Kinzey, Grip : Dave Childers, Location Manager : Ellen Lent, I/O Manager : Tom Ligon, Rigging Grip : Duane Robinson, Scenic Artist : Tom Richardson, Set Costumer : Valerie White, Actor's Assistant : Sara Cortinas, Grip : Mike Andieson, Visual Effects Supervisor : Adam Hawkey, Production Intern : Jeff McGinnis, Driver : John Bromstead, Craft Service : James Chandler, Executive Producer : Joana Vicente, Set Production Intern : Maureen Whalen, Co-Producer : Doug Bernheim, Actor's Assistant : Kanta Barrios, Post Production Consulting : Joe Fineman, Music Supervisor : Liza Richardson, VFX Production Coordinator : Diane Macke, Associate Producer : Carlos Cuarón, Finance : Raúl Cuevas, First Assistant Sound Editor : Bob Bowman, Propmaker : Todd Lookinland, Executive Producer : Frida Torresblanco, Location Manager : Kit Barrett, Special Effects Coordinator : Frank Ceglia, Production Manager : Tora Chung, Location Scout : Mira Bailey, Set Dressing Artist : John W. Micheletos, Producer : Jorge Vergara, Best Boy Electrician : Robert E. Powell, Color Timer : Ben Estrada, Location Scout : Dana Gong, Security : Benjamin Koldyke, Dialect Coach : Tim Monich, Translator : Vera Matousova, I/O Supervisor : Christopher Dusendschon, Lead Painter : Dale Haugo, Prop Maker : Craig Seamas, Set Costumer : Mary Elizabeth Still, Location Scout : Matthew Riutta, Construction Coordinator : Doug E. Williams, Orchestrator : Jack Smalley, Boom Operator : Jonathan Fuh, Production Accountant : Kana Takahashi, Transportation Co-Captain : Stephen Pate, Color Timer : Steve Bowen, Editor : Jay Cassidy, Utility Stunts : Robin Bonaccorsi, Legal Services : Claudia Uribe, Compositors : Michael John Koetter, Set Production Assistant : Yaron Kaplan, Studio Teachers : Bonnie Katz, Set Decoration Buyer : David Bjorngaard, Administration : Ana Martín, Sound Re-Recording Mixer : Tony Lamberti, Production Accountant : Christine Dye, Grip : James Beaumonte, 24 Frame Playback : Calvin Roberts, Unit Production Manager : Avram Butch Kaplan, Hairstylist : Yvette Rivas, Production Manager : Karla Moles Delfin, Set Medic : Scott Sandine, Music : Jan Pellant, Video Assist Operator : Jonathan Doff, Foley : Zane D. Bruce, Camera Operator : Patrick Loungway, Set Production Assistant : Paul Muldrow, Public Relations : Bibiana Tenorio, Music Supervisor : James Fitzpatrick, Gaffer : Danny Eccelston, Telecine Colorist : Bruce Goodman, Sound Effects Editor : Ezra Dweck, Manager of Operations : Chris Edwards, Executive Producer : Kevin Kennedy, Key Hair Stylist : Laurel Van Dyke, Wigmaker : Marital Corneville, Gaffer : John Buckley, Producer : Alfonso Cuarón, Digital Intermediate : Chris Taft, Hairstylist : Robin Mathews, Set Production Intern : Noah Newman, Sign Painter : Gregory Lake, Assistant Art Director : Scott Cobb, First Assistant Editor : Dov Samuel, Digital Intermediate : Jordan Ford, Production Design : Lester Cohen, Additional Music Supervisor : Doug Bernheim, Actor's Assistant : Annaliese Levy, Legal Services : Mark Vega, Screenplay : Niels Mueller, Production Manager : Sharlene Duale, Associate Producer : Emmanuel Lubezki, Stand In : Stu Yoder, Boom Operator : Dan Smith, Greensman : Geoffrey Lake, Grip : Joe Vandenberg, Sound Re-Recording Mixer : Marc Fishman, Electrician : Terry Sullivan, Screenplay : Kevin Kennedy, Standby Painter : Todd Brey, ADR & Dubbing : Robert Deschaine, Loader : Terry Wolcott, Legal Services : Adel Imam, Director : Niels Mueller, Camera Intern : Oriana Newton-Leopold, Set Production Intern : David Rapaport, Set Decoration : Barbara Munch, Production Controller : Jesse Rendon, Stand In : Michael Greggins, Still Photographer : Phil Bray, Executive Producer : Even Edelist, Makeup Artist : Karen Bradley, Assistant Director : Stuart B. Hagen, Script Supervisor : Renee Rosenfeld, Assistant Director : Roland Manarin, Property Master : Patrick Ludden, Executive Producer : Arnaud Duteil, Music : Steven M. Stern, Grip : Patrick Figueroa, Production Office Assistant : Cam Leeburg, Sound Editor : Paul Flinchbaugh, Co-Producer : John Limotte, Transportation Coordinator : Billy Scoles, Finance : Adriana Rodrígues, Second Unit Cinematographer : Jerzy Zielinski, Executive Producer : Avram Butch Kaplan, Foley : Jeff Gunn, Makeup Artist : Gretchen Davis, Art Department Coordinator : Stephanie Cain, Director of Photography : Emmanuel Lubezki, Driver : Marco Ruiz, Casting : Nina Henninger, Location Scout : Mark Andrew Terry, Dialogue Editor : Victoria Rose Sampson, Makeup Artist : Stephan Dupuis, Compositors : Erik Dehkhoda, Digital Intermediate : Curtis Lindersmith, Location Manager : Saisie Jung, Sound Editor : Lee Labaigue, Script Supervisor : Lynn Giordano, Location Scout : Sharonda Faison, Set Dressing Artist : Nate Belove, Line Producer : Debra Grieco, Grip : Brook Johnson, Driver : Howard Richards, Visual Effects Producer : Constance Hearn, Production Accountant : Joyce Quan, Sound Effects Editor : Dino Dimuro, Sound mixer : José Antonio García, Gun Wrangler : Patrick Musni, Compositors : Dennis Fitzsimmons, Executive Producer : Alexander Payne, Hairstylist : Peggy Forcellini, Archival Footage Coordinator : Kurt Mueller, Supervising Sound Editor : Anna MacKenzie, Finance : Yuritzi Diaz, Stunt Coordinator : Rocky Capella, Archival Footage Research : Deborah Rickets, Electrician : Sean Flood, Costume Design : Aggie Guerard Rodgers, Costume Supervisor : Judy Feil, Production Intern : Owen Carver, Stand In : Staci Lamkin, Chef : Jose Prieto, Foley : Don Givens, Studio Teachers : Bonnie Hudson, Production Supervisor : Celeste Healy, Makeup Department Head : Rick Stratton, Storyboard : Roel Robles, Art Department Assistant : Paul De Lumen, Gaffer : Dayton Nietert, Music Editor : Bunny Andrews, Picture Car Coordinator : Joe Hunter, Quality Control Supervisor : Tim Cairns, Unit Production Manager : Debra Grieco, Set Dressing Artist : Louis Visco, Additional Music Supervisor : Lucinda Carmichael, Administration : Manuel Platas, Stand In : Nandi Bowe, ADR & Dubbing : Tami Treadwell, Post Production Supervisor : Michael Toji, Executive Producer : Leonardo DiCaprio, Title Graphics : J. Kathryn Landholt, Legal Services : Henry Holmes, Sound mixer : Mark Hoffmann, Administration : Christine Wilcock, Set Production Intern : Jonathon Leeder, Scoring Mixer : Michael Stern, Grip : Robert 'Boomer' McCann, Stand In : Brian Sampson, Location Manager : Linda Emmons Cunningham, Score Engineer : Milan Jilek, Executive Producer : Jason Kliot, Casting : Mali Finn, Studio Teachers : Carolyn Crimley, Set Production Assistant : Max Fink, Property Master : Sean House, Art Department Assistant : Kelly Bagby, Actor's Assistant : Christa Collins, Casting : Sarah Kliban, Leadman : Mike Helbig, Construction Foreman : Mark Luevano, Unit Publicist : Troy Christian, Transportation Captain : Sandra E. Ninham, Electrician : Mark Nakahara
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Schlagwörter: suicide, disillusion, brother brother relationship, corruption, robbery, airport, white house, u.s. president, depression, wife husband relationship, suicide attempt, cheating, salesclerk, hostage, car dealer, attempted murder, despair, audio tape, vietnam, vietnam war, planned murder, car mechanic, airplane, leonard bernstein, watergate scandal, car dealing, black panthers, hijacking, loan credit, mental breakdown, marriage, unsociability, delusion, revenge, suicide mission, divorce, humiliation, social issues,
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